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toyo ito, tama art university

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toyo ito, tama art university
toyo ito, tama art university

"One Day / Reckoning Song (Wankelmut Remix) (Radio Edit)" - The Reckoning - Asaf Avidan & The Mojos

soundboard:

Asaf Avidan & The Mojos - One Day / Reckoning Song (Wankelmut Remix) (Radio Edit)

Andrew couldn’t make it tonight so you’ll have to deal with me. I always like to preview an artist’s discography before I post them. I didn’t care for Asaf Avidan much but what Wankelmut does to this otherwise ordinary folk song has me playing it on loop. It’s not often that I find the remix better than the original but I’m not alone considering it hit number one on the charts in several European countries. Why they been holding out on us?

I’ve listened to a couple Wankelmut remixes since but none stick with me as much as this hard hitting combo. Now, what does Andrew normally do here… oh, right…

Enjoy!

-Zach

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enochliew:

Naiju Community Center and Nursery School by Shoei Yoh

Latticework of bamboo is bent under heat to form a structure that is raised in the centre and covered with reinforced concrete.

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enochliew: Naiju Community Center and Nursery School by Shoei Yoh Latticework of bamboo is bent under heat to form a structure that is raised in the centre and covered with reinforced concrete.
enochliew: Naiju Community Center and Nursery School by Shoei Yoh Latticework of bamboo is bent under heat to form a structure that is raised in the centre and covered with reinforced concrete.
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showslow:

Denis Darzacq, La Chute (The Fall) - 2005/2006

The French riots of 2005 inspired the photographer Denis Darzacq to head for the housing estates on the outskirts of the capital. But he wasn’t after gritty shots of urban deprivation, he tells Angelique Chrisafis. He wanted something more - to capture an entire generation in freefall and with no one to catch them.

Denis Darzacq’s bizarre series La Chute (The Fall) has gripped the French art world. People have clamoured to know what on earth is happening in these pictures - taken with a manual camera and not Photoshopped - in which impassive 20-year-olds seem about to hit the ground at high speed. Why are all the shutters closed behind them? Will anyone care if they splatter on the pavement? Will anyone even notice them tumbling to certain oblivion?

Permalink (1,312 notes) Source: showslow Via: suffering-in-the-labyrinth
showslow: Denis Darzacq, La Chute (The Fall) - 2005/2006 The French riots of 2005 inspired the photographer Denis Darzacq to head for the housing estates on the outskirts of the capital. But he wasn’t after gritty shots of urban deprivation, he tells Angelique Chrisafis. He wanted something more - to capture an entire generation in freefall and with no one to catch them. Denis Darzacq’s bizarre series La Chute (The Fall) has gripped the French art world. People have clamoured to know what on earth is happening in these pictures - taken with a manual camera and not Photoshopped - in which impassive 20-year-olds seem about to hit the ground at high speed. Why are all the shutters closed behind them? Will anyone care if they splatter on the pavement? Will anyone even notice them tumbling to certain oblivion?
showslow: Denis Darzacq, La Chute (The Fall) - 2005/2006 The French riots of 2005 inspired the photographer Denis Darzacq to head for the housing estates on the outskirts of the capital. But he wasn’t after gritty shots of urban deprivation, he tells Angelique Chrisafis. He wanted something more - to capture an entire generation in freefall and with no one to catch them. Denis Darzacq’s bizarre series La Chute (The Fall) has gripped the French art world. People have clamoured to know what on earth is happening in these pictures - taken with a manual camera and not Photoshopped - in which impassive 20-year-olds seem about to hit the ground at high speed. Why are all the shutters closed behind them? Will anyone care if they splatter on the pavement? Will anyone even notice them tumbling to certain oblivion?
showslow: Denis Darzacq, La Chute (The Fall) - 2005/2006 The French riots of 2005 inspired the photographer Denis Darzacq to head for the housing estates on the outskirts of the capital. But he wasn’t after gritty shots of urban deprivation, he tells Angelique Chrisafis. He wanted something more - to capture an entire generation in freefall and with no one to catch them. Denis Darzacq’s bizarre series La Chute (The Fall) has gripped the French art world. People have clamoured to know what on earth is happening in these pictures - taken with a manual camera and not Photoshopped - in which impassive 20-year-olds seem about to hit the ground at high speed. Why are all the shutters closed behind them? Will anyone care if they splatter on the pavement? Will anyone even notice them tumbling to certain oblivion?
showslow: Denis Darzacq, La Chute (The Fall) - 2005/2006 The French riots of 2005 inspired the photographer Denis Darzacq to head for the housing estates on the outskirts of the capital. But he wasn’t after gritty shots of urban deprivation, he tells Angelique Chrisafis. He wanted something more - to capture an entire generation in freefall and with no one to catch them. Denis Darzacq’s bizarre series La Chute (The Fall) has gripped the French art world. People have clamoured to know what on earth is happening in these pictures - taken with a manual camera and not Photoshopped - in which impassive 20-year-olds seem about to hit the ground at high speed. Why are all the shutters closed behind them? Will anyone care if they splatter on the pavement? Will anyone even notice them tumbling to certain oblivion?
showslow: Denis Darzacq, La Chute (The Fall) - 2005/2006 The French riots of 2005 inspired the photographer Denis Darzacq to head for the housing estates on the outskirts of the capital. But he wasn’t after gritty shots of urban deprivation, he tells Angelique Chrisafis. He wanted something more - to capture an entire generation in freefall and with no one to catch them. Denis Darzacq’s bizarre series La Chute (The Fall) has gripped the French art world. People have clamoured to know what on earth is happening in these pictures - taken with a manual camera and not Photoshopped - in which impassive 20-year-olds seem about to hit the ground at high speed. Why are all the shutters closed behind them? Will anyone care if they splatter on the pavement? Will anyone even notice them tumbling to certain oblivion?
showslow: Denis Darzacq, La Chute (The Fall) - 2005/2006 The French riots of 2005 inspired the photographer Denis Darzacq to head for the housing estates on the outskirts of the capital. But he wasn’t after gritty shots of urban deprivation, he tells Angelique Chrisafis. He wanted something more - to capture an entire generation in freefall and with no one to catch them. Denis Darzacq’s bizarre series La Chute (The Fall) has gripped the French art world. People have clamoured to know what on earth is happening in these pictures - taken with a manual camera and not Photoshopped - in which impassive 20-year-olds seem about to hit the ground at high speed. Why are all the shutters closed behind them? Will anyone care if they splatter on the pavement? Will anyone even notice them tumbling to certain oblivion?
showslow: Denis Darzacq, La Chute (The Fall) - 2005/2006 The French riots of 2005 inspired the photographer Denis Darzacq to head for the housing estates on the outskirts of the capital. But he wasn’t after gritty shots of urban deprivation, he tells Angelique Chrisafis. He wanted something more - to capture an entire generation in freefall and with no one to catch them. Denis Darzacq’s bizarre series La Chute (The Fall) has gripped the French art world. People have clamoured to know what on earth is happening in these pictures - taken with a manual camera and not Photoshopped - in which impassive 20-year-olds seem about to hit the ground at high speed. Why are all the shutters closed behind them? Will anyone care if they splatter on the pavement? Will anyone even notice them tumbling to certain oblivion?
showslow: Denis Darzacq, La Chute (The Fall) - 2005/2006 The French riots of 2005 inspired the photographer Denis Darzacq to head for the housing estates on the outskirts of the capital. But he wasn’t after gritty shots of urban deprivation, he tells Angelique Chrisafis. He wanted something more - to capture an entire generation in freefall and with no one to catch them. Denis Darzacq’s bizarre series La Chute (The Fall) has gripped the French art world. People have clamoured to know what on earth is happening in these pictures - taken with a manual camera and not Photoshopped - in which impassive 20-year-olds seem about to hit the ground at high speed. Why are all the shutters closed behind them? Will anyone care if they splatter on the pavement? Will anyone even notice them tumbling to certain oblivion?
showslow: Denis Darzacq, La Chute (The Fall) - 2005/2006 The French riots of 2005 inspired the photographer Denis Darzacq to head for the housing estates on the outskirts of the capital. But he wasn’t after gritty shots of urban deprivation, he tells Angelique Chrisafis. He wanted something more - to capture an entire generation in freefall and with no one to catch them. Denis Darzacq’s bizarre series La Chute (The Fall) has gripped the French art world. People have clamoured to know what on earth is happening in these pictures - taken with a manual camera and not Photoshopped - in which impassive 20-year-olds seem about to hit the ground at high speed. Why are all the shutters closed behind them? Will anyone care if they splatter on the pavement? Will anyone even notice them tumbling to certain oblivion?

"Bit By Bit" - Mother Mother

indierocksanta:

Bit by Bit by Mother Mother

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heyhayleigh:

The Beach Boys

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Lomo al trapo

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Lomo al trapo
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devidsketchbook:

Architects of Air - LUMINARIA | EXXOPOLIS

To commemorate the 20th luminarium, and to celebrate its long association with Nottingham, Architects of Air returned to its roots to involve local people. In partnership with Lakeside Arts Centre local community groups were enlisted in the ‘Windows Project’ workshops to make the intricate ‘stained glass’ windows of the EXXOPOLIS cupola based on a tiling design by Sir Roger Penrose.

The luminaria are designed by company founder, Alan Parkinson, who started experimenting with pneumatic sculptures in the I980s. 

Each luminarium is an original design. The principal difference between the different luminaria is found in the rendering of the domes and in the layout of the tunnels.

The domes are the large chambers rising up to 10 metres high that provide the focal points. The tunnels connect the domes and determine the journey the visitor will take. The luminaria also feature ‘pods’ - alcoves where people can sit and relax out of the way of the other visitors.

Each luminarium is a dazzling maze of winding paths and soaring domes where Islamic architecture, Archimedean solids and Gothic cathedrals meld into an inspiring monument to the beauty of light and colour.

more: MIRACOCO | MIRAZOZO | AMOCOCO | LEVITY II | LEVITY III

Permalink (863 notes) Via: devidsketchbook
devidsketchbook: Architects of Air - LUMINARIA | EXXOPOLIS To commemorate the 20th luminarium, and to celebrate its long association with Nottingham, Architects of Air returned to its roots to involve local people. In partnership with Lakeside Arts Centre local community groups were enlisted in the ‘Windows Project’ workshops to make the intricate ‘stained glass’ windows of the EXXOPOLIS cupola based on a tiling design by Sir Roger Penrose. The luminaria are designed by company founder, Alan Parkinson, who started experimenting with pneumatic sculptures in the I980s.  Each luminarium is an original design. The principal difference between the different luminaria is found in the rendering of the domes and in the layout of the tunnels. The domes are the large chambers rising up to 10 metres high that provide the focal points. The tunnels connect the domes and determine the journey the visitor will take. The luminaria also feature ‘pods’ - alcoves where people can sit and relax out of the way of the other visitors. Each luminarium is a dazzling maze of winding paths and soaring domes where Islamic architecture, Archimedean solids and Gothic cathedrals meld into an inspiring monument to the beauty of light and colour. more: MIRACOCO | MIRAZOZO | AMOCOCO | LEVITY II | LEVITY III
devidsketchbook: Architects of Air - LUMINARIA | EXXOPOLIS To commemorate the 20th luminarium, and to celebrate its long association with Nottingham, Architects of Air returned to its roots to involve local people. In partnership with Lakeside Arts Centre local community groups were enlisted in the ‘Windows Project’ workshops to make the intricate ‘stained glass’ windows of the EXXOPOLIS cupola based on a tiling design by Sir Roger Penrose. The luminaria are designed by company founder, Alan Parkinson, who started experimenting with pneumatic sculptures in the I980s.  Each luminarium is an original design. The principal difference between the different luminaria is found in the rendering of the domes and in the layout of the tunnels. The domes are the large chambers rising up to 10 metres high that provide the focal points. The tunnels connect the domes and determine the journey the visitor will take. The luminaria also feature ‘pods’ - alcoves where people can sit and relax out of the way of the other visitors. Each luminarium is a dazzling maze of winding paths and soaring domes where Islamic architecture, Archimedean solids and Gothic cathedrals meld into an inspiring monument to the beauty of light and colour. more: MIRACOCO | MIRAZOZO | AMOCOCO | LEVITY II | LEVITY III
devidsketchbook: Architects of Air - LUMINARIA | EXXOPOLIS To commemorate the 20th luminarium, and to celebrate its long association with Nottingham, Architects of Air returned to its roots to involve local people. In partnership with Lakeside Arts Centre local community groups were enlisted in the ‘Windows Project’ workshops to make the intricate ‘stained glass’ windows of the EXXOPOLIS cupola based on a tiling design by Sir Roger Penrose. The luminaria are designed by company founder, Alan Parkinson, who started experimenting with pneumatic sculptures in the I980s.  Each luminarium is an original design. The principal difference between the different luminaria is found in the rendering of the domes and in the layout of the tunnels. The domes are the large chambers rising up to 10 metres high that provide the focal points. The tunnels connect the domes and determine the journey the visitor will take. The luminaria also feature ‘pods’ - alcoves where people can sit and relax out of the way of the other visitors. Each luminarium is a dazzling maze of winding paths and soaring domes where Islamic architecture, Archimedean solids and Gothic cathedrals meld into an inspiring monument to the beauty of light and colour. more: MIRACOCO | MIRAZOZO | AMOCOCO | LEVITY II | LEVITY III
devidsketchbook: Architects of Air - LUMINARIA | EXXOPOLIS To commemorate the 20th luminarium, and to celebrate its long association with Nottingham, Architects of Air returned to its roots to involve local people. In partnership with Lakeside Arts Centre local community groups were enlisted in the ‘Windows Project’ workshops to make the intricate ‘stained glass’ windows of the EXXOPOLIS cupola based on a tiling design by Sir Roger Penrose. The luminaria are designed by company founder, Alan Parkinson, who started experimenting with pneumatic sculptures in the I980s.  Each luminarium is an original design. The principal difference between the different luminaria is found in the rendering of the domes and in the layout of the tunnels. The domes are the large chambers rising up to 10 metres high that provide the focal points. The tunnels connect the domes and determine the journey the visitor will take. The luminaria also feature ‘pods’ - alcoves where people can sit and relax out of the way of the other visitors. Each luminarium is a dazzling maze of winding paths and soaring domes where Islamic architecture, Archimedean solids and Gothic cathedrals meld into an inspiring monument to the beauty of light and colour. more: MIRACOCO | MIRAZOZO | AMOCOCO | LEVITY II | LEVITY III
devidsketchbook: Architects of Air - LUMINARIA | EXXOPOLIS To commemorate the 20th luminarium, and to celebrate its long association with Nottingham, Architects of Air returned to its roots to involve local people. In partnership with Lakeside Arts Centre local community groups were enlisted in the ‘Windows Project’ workshops to make the intricate ‘stained glass’ windows of the EXXOPOLIS cupola based on a tiling design by Sir Roger Penrose. The luminaria are designed by company founder, Alan Parkinson, who started experimenting with pneumatic sculptures in the I980s.  Each luminarium is an original design. The principal difference between the different luminaria is found in the rendering of the domes and in the layout of the tunnels. The domes are the large chambers rising up to 10 metres high that provide the focal points. The tunnels connect the domes and determine the journey the visitor will take. The luminaria also feature ‘pods’ - alcoves where people can sit and relax out of the way of the other visitors. Each luminarium is a dazzling maze of winding paths and soaring domes where Islamic architecture, Archimedean solids and Gothic cathedrals meld into an inspiring monument to the beauty of light and colour. more: MIRACOCO | MIRAZOZO | AMOCOCO | LEVITY II | LEVITY III
devidsketchbook: Architects of Air - LUMINARIA | EXXOPOLIS To commemorate the 20th luminarium, and to celebrate its long association with Nottingham, Architects of Air returned to its roots to involve local people. In partnership with Lakeside Arts Centre local community groups were enlisted in the ‘Windows Project’ workshops to make the intricate ‘stained glass’ windows of the EXXOPOLIS cupola based on a tiling design by Sir Roger Penrose. The luminaria are designed by company founder, Alan Parkinson, who started experimenting with pneumatic sculptures in the I980s.  Each luminarium is an original design. The principal difference between the different luminaria is found in the rendering of the domes and in the layout of the tunnels. The domes are the large chambers rising up to 10 metres high that provide the focal points. The tunnels connect the domes and determine the journey the visitor will take. The luminaria also feature ‘pods’ - alcoves where people can sit and relax out of the way of the other visitors. Each luminarium is a dazzling maze of winding paths and soaring domes where Islamic architecture, Archimedean solids and Gothic cathedrals meld into an inspiring monument to the beauty of light and colour. more: MIRACOCO | MIRAZOZO | AMOCOCO | LEVITY II | LEVITY III
devidsketchbook: Architects of Air - LUMINARIA | EXXOPOLIS To commemorate the 20th luminarium, and to celebrate its long association with Nottingham, Architects of Air returned to its roots to involve local people. In partnership with Lakeside Arts Centre local community groups were enlisted in the ‘Windows Project’ workshops to make the intricate ‘stained glass’ windows of the EXXOPOLIS cupola based on a tiling design by Sir Roger Penrose. The luminaria are designed by company founder, Alan Parkinson, who started experimenting with pneumatic sculptures in the I980s.  Each luminarium is an original design. The principal difference between the different luminaria is found in the rendering of the domes and in the layout of the tunnels. The domes are the large chambers rising up to 10 metres high that provide the focal points. The tunnels connect the domes and determine the journey the visitor will take. The luminaria also feature ‘pods’ - alcoves where people can sit and relax out of the way of the other visitors. Each luminarium is a dazzling maze of winding paths and soaring domes where Islamic architecture, Archimedean solids and Gothic cathedrals meld into an inspiring monument to the beauty of light and colour. more: MIRACOCO | MIRAZOZO | AMOCOCO | LEVITY II | LEVITY III